热带地理 ›› 2016, Vol. 36 ›› Issue (2): 158-165.doi: 10.13284/j.cnki.rddl.002820

• 论文 • 上一篇    下一篇

尺度政治视角下的曾灶财涂鸦

陈丹阳   

  1. (聊城大学 运河学研究院,山东 聊城 252059)
  • 出版日期:2016-03-31 发布日期:2016-03-31
  • 作者简介:陈丹阳(1982―),男,讲师,博士,主要从事地理学史和文化地理学研究,(E-mail)136716753@qq.com。

Politics of Scale in Tsang Tsou Choi’s Graffiti

CHEN Danyang   

  1. (The Grand Canal Research Institute,Liaocheng University,Liaocheng 252059,China)
  • Online:2016-03-31 Published:2016-03-31

摘要: 现代涂鸦发源于欧美国家,近些年来也在中国的城市街巷空间中大量出现,并带来了一定的社会问题。通过梳理国内外学界相关研究成果,阐明了涂鸦具有建构和改变地方意义的作用。在此基础上运用尺度政治理论分析香港著名涂鸦者“九龙皇帝”曾灶财的个案,探讨了3个时期中香港政府、文化精英和曾灶财本人对其涂鸦性质的不同界定,以及相互之间的博弈过程。分析认为:香港政府在曾灶财去世后对其涂鸦的保护并不意味着对这些涂鸦艺术品性质的承认,而是面对文化精英尺度上推策略的妥协。最后探讨了尺度政治理论在当前中国城市涂鸦问题中的应用前景。

关键词: 涂鸦, 尺度政治, 尺度下推, 尺度上推

Abstract: Modern graffiti originated from the western world. In recent years it also appeared in China's urban spaces, and caused a lot of social problems. The article analyzed the research achievements at home and abroad, explicated that one important effect of graffiti is constructing and changing place meanings. Known as Kowloon Emperor, Tsang Tsou Choi was one famous graffitist in Hong Kong. The article discussed different defines of Tsang’s graffiti by Hong Kong Government, cultural elites and Tsang himself in three periods, tried to use politics of scale theory to explain different circumstances of Tsang’s graffiti in those periods. The conclusion is the protection of Tsang’s graffiti by Hong Kong Government after Tsang's death did not mean that the government recognized Tsang’s graffiti as art, but the compromise with cultural elites when facing their scale-up strategy. Finally, the article discussed the prospect of applying politics of scale theory to the problem of graffiti in the current Chinese cities.

Key words: graffiti, politics of scale, scale-down, scale-up